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Author Archives: A S H Smyth

Bookselling: my part in its downfall

Some thoughts on my brief time at Waterstone’s, along with a review of Shaun Bythell’s Seven Kinds of People You Find in Bookshops. — For The Critic

His race is run

On the late Ben Cross, Harold Abrahams, and the impact Chariots of Fire had on me as a 10-year-old boy. — For The Critic

None shall sleep

A Toscca seminar on potential catastrophe in the Caucasus. — For The Critic

NEWS AT A GLANCE

. The Paris Louvre is in future to be guarded by watch-dogs. — The Nelson Evening Mail, Monday, July 13 1908 . A gold coin celebrating the assassination of Julius Caesar has been auctioned for more than $3m dollars. 50% of a man’s hair is gone before it becomes noticeable. Good socialists need not refuse […]

The One That Got Away – Yadushika Radkakrishnan

The Sri Lankan fashion photographer and jewellery designer talks about the shot she never got… and one she did. — For the Sri Lankan Sunday Times

The One That Got Away – Sandranathan Rubatheesan

The Sri Lankan journalist and photographer talks about the greatest shot he never got… and one he did. — For the Sri Lankan Sunday Times

Year’s mind

On South Africa’s historic 1995 Rugby World Cup win, its aftermath, and the sad death of James Terence Small . On Sunday morning, the first big international rugby fixture – All Blacks vs the Wallabies – was played since Covid halted the Six Nations back in early March. This will be followed by the other […]

The One That Got Away – Tai Hsin Shiek

The star-gazing Sri Lankan photographer talks about the greatest shot he never got… and one he did. — For the Sri Lankan Sunday Times

Faux Amis? Or, the art of the nonvel

Inside Story: a novel / How to Write By Martin Amis Jonathan Cape £20 . It is traditionally ‘not done’ to review books in terms of what they’re not. And yet: this book is not a novel. It says it is on the front cover; but it isn’t. And Martin Amis makes it clear it’s […]

The Gentleman’s Marathon

On my attempt to run 26.2 miles, in Pheidippides’ footsteps. — For The Critic